Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.
Garrop is a full-time freelance composer living in the Chicago area. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments.
Recent commissions include In a House Besieged for The Crossing, The Battle for the Ballot for the Cabrillo Festival Orchestra, Shiva Dances for Grant Park Music Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Spectacle of Light for the Music of the Baroque Orchestra, The Heavens Above Us for the Reading Symphony Youth Orchestra, and Alpenglow, a double concerto for saxophone, tuba, and wind ensemble commissioned by a consortium of 18 organizations. Notable past commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, Slipstream for the Dallas Symphony Orchestra Musicians Chamber Music Series, and Terra Nostra (oratorio), commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus. Her current commissions include projects with Pittsburgh Symphony Orchestra, Soli Deo Gloria Music Foundation, and Chicago Opera Theater for a new opera that will premiere in 2024.
Garrop has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. Earlier in her career, she participated in reading session programs sponsored by the American Composers Orchestra and Minnesota Orchestra (the Composers Institute). Recent performances of her orchestral works were given by the Baltimore, Chicago, Philadelphia, Reading, Richmond, and St. Louis Symphony Orchestras, and of her chamber works by the Boston Trio, Ensemble Échappé, Kronos Quartet and Lincoln Trio.
Theodore Presser Company and ECS Publishing carry her works. Garrop is a Cedille Records artist with pieces currently on eleven CDs; her works are also commercially available on more than a dozen additional labels.
In 2022, she is serving as the featured composer of the Bowling Green State University New Music Festival and the Indiana State University Contemporary Music Festival, as well as a mentor composer for the Cabrillo Conductors/Composers Workshop, LunART Festival Composers Hub, and Chicago a cappella’s HerVoice Emerging Women Choral Composers Competition.
She was the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program (2018-2020), during which she composed The Transformation of Jane Doe and What Magic Reveals with librettist Jerre Dye. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra (2016-2019), funded by New Music USA and the League of American Orchestras. She previously served as composer-in-residence with the Albany Symphony (2009/2010) and Skaneateles Festival (2011), and as well as on faculty of the Fresh Inc Festival (2012-2017).